Publications

Poems in Periodicals, Print or Online:
Untitled, Acorn 43, 2019
“Coronulinae” + “A Radiologist’s Ghazal”, AGNI, 2012 and 2019
Four poems, Akitsu Quarterly, Fall 2017
“Ancestress”, Amarillo Bay 16(3), 2014
“Prom Night”, American Arts Quarterly, 2016
Two poems, Angle, 4(1), 2015
“X-Ray”, Another Chicago Magazine, 2020
Two poems, As It Ought to Be, 2014
Four poems, Asahi Shimbun, 2019
“Thoughts Upon Walking in a Japanese Garden,” Asia Literary Review 20, 2011
Three poems, Asian American Literary Review 6(1), 2015
Four poems, Asses of Parnassus, 2016-20
“Standing Between My Parents at Manatee Lagoon”, Baltimore Review 5, 2016
“Bánh Bột Lọc”, Barrelhouse, 2018
“Troubadour’s Song,” Barrow Street 10(1), 2007
“Almost Abecedarian,” Bellevue Literary 13(1), 2013, and HIV Here & Now, 2016
“Refugee Wedding”, Black April Poets Project, 2017
“From the Pillow Book of a Long Island Girl,” Blue Earth Review 12, 2014
“Brown Leaves,” Bone Bouquet 8(2), 2018
“Aftermath,” Borderlands: Texas Poetry Review 43, 2015
“The Twelve Dancing Princesses (IV),” The Briar Cliff Review 28, 2016
“Please Don’t Tell Me How the Story Ends,” Carolina Quarterly 67(1), 2017
“Ark” + “The Ballad of Great-Uncle Chi”, Cha 21, 2013, and 23, 2014
“Binh Explains Why His Brother Lives…,” Chattahoochee Review 35(2-3), 2016
Two poems, Cherry Tree 4, 2018
Two poems, Cider Press Review 19(2), 2017, and 19(4), 2018
Two poems, Cincinnati Review 17(1), 2020
“A Theory With a Flaw,” Constellations 8, 2018
“Private Rituals,” Copper Nickel 29, 2019
“On Being Asian American,” Crab Creek Review, 2012 vol. 2
Two poems, Crab Orchard Review 20(2), 2015
“May 1, 2015,” Cream City Review 39(2), 2015
Three poems, Denver Quarterly 51(2), 2017
“Tên Tôi Là…”, DIAGRAM 16(1), 2016
“This Is How You Subjugate the Muse”, Dislocate 10, 2014
“I Ask the Famous Poet How Her Poetry Reading Went,” DMQ Review, 2019
“Double Blind,” Echolocation 14, 2014
“Byerly’s”, “An Unsent Letter”, + “One-Sentence Love Letter”, Ecotone 28, 2019
Two poems, 18 Million Rising, 2017
“Kỳ Đồng”, “Patti”, “Posture”, “Venus”, + “Louise Bourgeois”, Ekphrastic, 2015-20
“The Cannibals Will Inherit the Earth,” Ellipsis 44, 2010
“Coconut Pandan Tapioca Cake,” Epiphany 14, 2014
Deipnosophistae” and “A Failed Georgic,” E-Verse, 2019 and 2020
“Waking From Anesthesia,” The Examined Life Journal, 2017
“Women Who Write,” Fifth Wednesday Journal 18, 2016
“Sibling Rivalry,” The Fourth River 14, 2017
Untitled, Frogpond 34(1), 2011
“Love Story,” Gargoyle 53, 2008
“The Borgias,” Genius, 2013
“Ghazal,” The Ghazal Page 64, 2016
“Women Who Conjure Owls”, Glass: A Journal of Poetry, 2019
Two poems, Hampden-Sydney Poetry Review 45, 2019
“Riddle,” Harpur Palate 12(1), 2012
“Book Report,” Hayden’s Ferry Review, 2014
Three poems, The Healing Muse 9, 2009, 15, 2015, and 17, 2017
Untitled, The Heron’s Nest 18(4), 2016
“Tịnh Độ Tông,” The Hollins Critic, 54(2), 2017
“For Lack of What Is Found There,” The Hopkins Review 11(3), 2018
“The Young Physician’s Rondeau,” Hospital Drive 5, 2010
Ten poems, Houseboat, 2014
“Birth Control,” Hyphen Magazine, 2015
“To John Ashbery,” I-70 Review, 2019
“Morning After” + “November Air,” Indolent Books’s Transition Project, ’16 + ’20
Four poems, Innisfree Poetry Journal, 2015
“Ceruminations,” The Journal 43(3), 2019
“Tire Swing,” Journal of Medical Humanities 30(4), 2009
“Meditation on Craniocaudal Folding,” JAMA 297(22), 2007
Two poems, Juked 16, 2019
“Nerd Valentine,” Kin Poetry Journal 2, 2012
Two poems, Kindred 10, 2015
“Bruxism”, “Deepfake”, “Predilections”, + “Very Asian Variation”, Light, 2016-20
Two poems, Lighten Up Online 32, 2015, and 33, 2016
“Bird”, LIT, 2019
“Purses”, Literary Matters 10(3), 2018
“New York Living,” Little Patuxent Review 19, 2016
Two poems, The Los Angeles Review 19, 2016
“Grandma Said,” The Louisville Review 86, 2019
“Circe’s Blues,” Many Mountains Moving 10(1), 2010
“Hymn to Aphrodite,” MARGIE 8, 2009
Two poems, The Margins, 2015
Three poems, Mascara Literary Review 12, 2012
Bref Double Written for Central Park During the Pandemic,” Mass Poetry, 2020
“Transmigration,” Massachusetts Review 53(3), 2012
Three poems, Measure 9(1), 2014
Eleven poems, Mezzo Cammin 8(2), 2014, 10(2), 2016, and 11(1), 2016
“Homemade Eclipse Glasses,” Michigan Quarterly Review 57(3), 2018
Three poems, Minnetonka Review 7, 2011
“Haibun,” Modern Haiku 41(2), 2010
“Doppelgangers,” Mom Egg Review‘s VOX blog, 2018
“Tainted Wedding,” Mythic Delirium 29, 2013
“Chè Bắp” + “Invention of Photography”, The Nervous Breakdown, 2011 + 2016
“Mitsu”, New Haven Review 17, 2016
Three poems, New Madrid, 2016
“Central Park”, “E. Boland”, “To a Physician”, + 5 more, New Verse News, ’14-’20
“A Correspondence,” The New York Quarterly 66, 2010
“Ode to Dorothy Gale” + “Bloody Dim,” NonBinary Review 4, 2015, and 9, 2016
Two poems, The Normal School, 2015
“Portrait,” Off the Coast 22(1), 2016
Five poems, PANK 9, 2013
Three poems, The Pharos 72(1), 2009, 73(1), 2010, and 74(1), 2011
“Quixotic,” Pleiades 40(2), 2020
“Picky Picky,” Poet Lore 114(3-4), 2019
Three poems, The Poetry Porch 15, 2015
“The Nymph’s Reply to the Shepherd” + “Tanka”, Portland Review, 2012 + 2013
Two poems, Post Road 19, 2010
“A Failed Georgic,” Potomac Review 63, 2018
“Psych!”, Prelude, 2015
Untitled, Presence 65, 2019
“Hunks Aplenty!”, Quarter After Eight 21, 2015
Three poems, The Raintown Review 10(1), 2011, 12(1), 2014, and 14(1), 2019
“Immigrant Story”, Rambutan Literary 3, 2016
“Gusanoz”, Rattle, 2019
“Three Short Poems on a Common Theme,” RHINO 9, 2009
“Tanka,” Ribbons 10(4), 2015
“Birdwatching” + “Easter Prayer During the Pandemic”, Rise Up Review, ’17-’20
Two poems, The Road Not Taken 9(2), 2015
“We Are All At Least 50% Water,” Rosebud 64, 2018
“Baltimore Song,” The Rotary Dial 27, 2015
“Immigrant Story”, Saigoneer, 2018
Two poems, The Saint Ann’s Review 14(2), 2015
“Inheritance,” Salamander 16(2), 2011
“Echoes”, Salt Hill 42, 2019
“Leaving for Work in the Morning During the COVID-19 Epidemic,” 7x7LA, 2020
“Marsyas”, Silver Birch Press, 2014
Two poems, Smartish Pace 21, 2014
Two poems, Smoky Quartz, 2019
“Bionic Ducks,” South Dakota Review 52(3-4), 2016
Three poems, Southampton Review 7(2), 2013
“How It Goes,” SPECS 7, 2016
Two poems, Spillway 21, 2013
“Golden Shovel in the Voice of Margot Begemann”, SWWIM, 2018
“Disordered Faces,” TAB: The Journal of Poetry & Poetics 8(5), 2020
Two poems, Tar River Poetry 57(1), 2017
“A Bruxist Manifesto,” 32 Poems 10(2), 2012
Two poems, Thrush Poetry Journal, 2015
Two poems, Tinderbox Poetry Journal 4(3), 2017
Three poems, The Toronto Quarterly’s Poetry Spotlight, 2013
Three poems, Two Serious Ladies, 2014
How Not to Be Wrong,” Unlost Journal 23, 2020
Georgia O’Keeffe’s White Flower,” Valparaiso Poetry Review 21(2), 2020
“An Unsent Letter,” Verse Daily, 2020
“Công Binh,” The Village Voice 60(16), 2015
“Dispatch From Hanover, New Hampshire,” Virga 2, 2017
“I, Casimir Zorawski, a Mathematician of Poland,” Waccamaw 13, 2014
Untitled, Wales Haiku Journal 3(3), 2020
“How We Met,” Washington Square Review 43, 2019
“Suckling,” Water~Stone Review 18, 2015
“Origami Master Breakfasts With His New Apprentice,” West Branch 86, 2018
Two poems, Western Humanities Review 72(2), 2019
“The Shortest Memoir,” Yemassee 17(1), 2010
“The Staircase Infinite,” Zone 3 33(1), 2018

Poems in Anthologies:

“My Imaginary Life as a Narcoleptic,” The Best of the Raintown Review
(Barefoot Muse Press, 2015)

“Ghazal,” Choice Words: Writers on Abortion (Haymarket Books, 2020)

Untitled, The Helping Hand Haiku Anthology (Middle Island Press, 2020)

“Artist Statement,” Imagining Vesalius: An Ekphrastic, Scholarly, and Literary Celebration of the 1543 De Humani Corporis Fabrica of Andreas Vesalius (University of California Medical Humanities Press, 2020)

“A Cultural Artifact,” More Truly and More Strange: 100 Contemporary American Self-Portrait Poems (Persea Books, 2020)

“Ode to the Nancy Drew Books,” The Nancy Drew Anthology: Writing & Art Featuring Everybody’s Favorite Female Sleuth (Silver Birch Press, 2016)

“On the Lesser-Known Uses of Meat Tenderizer,” Nasty Women Poets: An Unapologetic Anthology of Subversive Verse (Lost Horse Press,
2017)

“The Morning After the Election,” Poems in the Aftermath: An Anthology From the 2016 Presidential Transition Period (Indolent Books, 2018)

Three poems, Prey Tell: An Anthology of Poems About Birds of Prey (2015)

“Epitaph for a Young Woman,” Red Sky: poetry on the global epidemic of violence against women (Sable Books, 2016)

“Ode to Dorothy Gale,” The 2016 Rhysling Anthology: The Best Science Fiction, Fantasy & Horror Poetry of 2015

Three poems, Two-Countries: U.S. Daughters and Sons of Immigrant Parents (Red Hen Press, 2017)

Poetry Translations:
“Matthew” (a version of “Myrtho” by Gérard de Nerval), Asymptote, 2012
Translation of “Angoisse” by Stéphane Mallarmé, Brooklyn Rail, 2011
2 versions of “El Desdischado” by Gérard de Nerval, Brooklyn Rail, 2011 + 2013
Translation of stanzas of “La chanson du mal-aimé” by Guillaume
Apollinaire, Duende Literary 4, 2016
Translation of “Un soir” by Guillaume Apollinaire, Kin Poetry Journal 11, 2013
Translation of “Rêvé pour l’Hiver” by Arthur Rimbaud, Sycamore Review, 2011

Short Fiction:
“Kimiko,” Clarion 18, 2015
Capitale de la Douleur,” Newtown Literary 3, 2013

Essays:
“Vietnamese Americans in the VHS Era”, Burrow Press and SPECS 7, 2016
“The Last Book I Loved, The Handmaid’s Tale,” The Rumpus, 2011

Book Criticism:
Review of Frozen Charlotte by Susan de Sola, AGNI, 2019
Review of Trouble the Water by Derrick Austin, Avatar Review 18, 2016
Review of The Old Philosopher by Vi Khi Nao, Fanzine, 2016
Review of The Final Voicemails by Max Ritvo, Indolent Books blog, 2018
Review of Robert Lowell, Setting the River on Fire: A Study of Genius, Mania,
and Character
by Kay Redfield Jamison
, Literary Matters 10(1), 2017
Review of Bursting With Danger and Music by Jack Coulehan, The Pharos
78(1), 2015
Review of Turn by Wendy Chin-Tanner, Pleiades 34(2), 2014
Review of Quantum Heresies by Mary Peelen, Poetry Northwest, 2020
Review of Then Winter by Chloe Honum, Poetry Northwest, 2017
Review of The Lillian Trilogy by Mary Meriam, Poetry Northwest, 2016
Review of Afterland by Mai Der Vang, The Rumpus, 2017
Review of Sunday Mornings at the Caffe Mediterraneum by Wendy Sloan, The
Rumpus
, 2017
Review of Water & Salt by Lena Khalaf Tuffaha, The Rumpus, 2017
Review of A Woman Without a Country by Eavan Boland, The Rumpus, 2014
Micro-review of A Cruelty Special to Our Species by Emily Jungmin Yoon and
other 2018 reads
, Southern Indiana Review, 2019
Micro-review of North American Stadiums by Grady Chambers and Catafalque by Adam Tavel, Southern Indiana Review, 2020
Review of Accents by Arthur Turfa, Stirring: A Literary Collection 20(3), 2018
Review of Ode to the Far Shore by Khaty Xiong, Dear Suki: Letters by Lana
Bella, and Which Way to Go, or Here by Anhvu Buchanan and Brent Piller
,
Tupelo Quarterly, 2017

Visual Art:
Three ink drawings, Jubilat 35, 2019.
Two ink drawings, Lantern Review 7(2), 2019.
One oil pastel drawing, Lily Poetry Review 2(2), 2020.
Two watercolors and one colored pencil drawing, MAI 3, 2017.
One charcoal drawing, Mom Egg Review 18, 2020.

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