Poems in Periodicals, Print or Online:
“The Implorer”, Able Muse 30, 2022
Untitled haiku, Acorn 43, 2019
“Coronulinae” + “A Radiologist’s Ghazal”, AGNI, 2012 and 2019
Four haiku, Akitsu Quarterly, Fall 2017
“Guardian Angel,” Alaska Quarterly Review 39(1-2), 2023
“Ancestress”, Amarillo Bay 16(3), 2014
“Prom Night”, American Arts Quarterly, 2016
Two poems, Angle, 4(1), 2015
“X-Ray,” Another Chicago Magazine, 2020
Two poems, As It Ought to Be, 2014
Five haiku, Asahi Shimbun, 2019-22
“Thoughts Upon Walking in a Japanese Garden,” Asia Literary Review 20, 2011
Three poems, Asian American Literary Review 6(1), 2015
Four poems, Asses of Parnassus, 2016-20
“Put to Shame,” Autumn Sky Poetry Daily, 2020
Two poems, Bad Lilies 11, 2022
“Standing Between My Parents at Manatee Lagoon”, Baltimore Review 5, 2016
“Bánh Bột Lọc”, Barrelhouse, 2018
“Troubadour’s Song,” Barrow Street 10(1), 2007
“Almost Abecedarian,” Bellevue Literary 13(1), 2013, and HIV Here & Now, 2016
“Les Neiges d’Antan,” Better Than Starbucks 7(3), 2022
“Refugee Wedding”, Black April Poets Project, 2017
“From the Pillow Book of a Long Island Girl,” Blue Earth Review 12, 2014
Two poems, The Boiler 34, 2021
“Brown Leaves,” Bone Bouquet 8(2), 2018
“Aftermath,” Borderlands: Texas Poetry Review 43, 2015
Seven haiku, brass bell: a haiku journal, 2022
“The Twelve Dancing Princesses (IV),” The Briar Cliff Review 28, 2016
“Please Don’t Tell Me How the Story Ends,” Carolina Quarterly 67(1), 2017
“Ark” + “The Ballad of Great-Uncle Chi”, Cha 21, 2013, and 23, 2014
“Binh Explains Why His Brother Lives…,” Chattahoochee Review 35(2-3), 2016
Two poems, Cherry Tree 4, 2018
Two poems, Cider Press Review 19(2), 2017, and 19(4), 2018
Two poems, Cincinnati Review 17(1), 2020
“A Theory With a Flaw,” Constellations 8, 2018
“Private Rituals,” Copper Nickel 29, 2019
“On Being Asian American,” Crab Creek Review, 2012 vol. 2
Two poems, Crab Orchard Review 20(2), 2015
“May 1, 2015,” Cream City Review 39(2), 2015
Three poems, Denver Quarterly 51(2), 2017
“Tên Tôi Là…”, DIAGRAM 16(1), 2016
Three poems, Diode Poetry Journal 15(2), 2022
“This Is How You Subjugate the Muse”, Dislocate 10, 2014
“I Ask the Famous Poet How Her Poetry Reading Went,” DMQ Review, 2019
“Double Blind,” Echolocation 14, 2014
“Byerly’s”, “Unsent Letter”, “Route 120,” + “Love Letter”, Ecotone 28+30, 2019-21
Two poems, 18 Million Rising, 2017
“Kỳ Đồng”, “Patti”, “Posture”, “Venus”, + “Louise Bourgeois”, Ekphrastic, 2015-20
“The Cannibals Will Inherit the Earth,” Ellipsis 44, 2010
“Coconut Pandan Tapioca Cake,” Epiphany 14, 2014
“ Deipnosophistae” and “A Failed Georgic,” E-Verse, 2019 and 2020
“Waking From Anesthesia,” The Examined Life Journal, 2017
“Women Who Write,” Fifth Wednesday Journal 18, 2016
“Sibling Rivalry,” The Fourth River 14, 2017
Untitled haiku, Frogpond 34(1), 2011
Two poems, Galway Advertiser, 2022
“Love Story,” Gargoyle 53, 2008
“The Borgias,” Genius, 2013
“Ghazal,” The Ghazal Page 64, 2016
“Women Who Conjure Owls” + “In the Spring of Coronavirus”, Glass, 2019-20
Two haiku, haikuniverse, 2021-22
Two poems, Hampden-Sydney Poetry Review 45, 2019
“Riddle,” Harpur Palate 12(1), 2012
“Book Report,” Hayden’s Ferry Review, 2014
Three poems, The Healing Muse 9, 2009, 15, 2015, and 17, 2017
Untitled haiku, The Heron’s Nest 18(4), 2016
“Tịnh Độ Tông,” The Hollins Critic, 54(2), 2017
“…What Is Found There” + “Louisville,” Hopkins Review 11(3), 2018, + 14(2), 2021
“The Young Physician’s Rondeau,” Hospital Drive 5, 2010
Ten poems, Houseboat, 2014
“Birth Control,” Hyphen Magazine, 2015
“To John Ashbery,” I-70 Review, 2019
“COVID Prayer,” The Indianapolis Review 16, 2021
“Morning After” + “November Air,” Indolent Books’s Transition Project, ’16 + ’20
Four poems, Innisfree Poetry Journal, 2015
“Ceruminations,” The Journal 43(3), 2019
“Tire Swing,” Journal of Medical Humanities 30(4), 2009
“Craniocaudal Folding” and “Wisecrack”, JAMA 297(22), 2007, and 328(21), 2022
Three poems, Journal of Southeast As.-Am. Ed. and Advancement 16(1), 2021
Two poems, Juked 16, 2019
“Nerd Valentine,” Kin Poetry Journal 2, 2012
Two poems, Kindred 10, 2015
“Deepfake”, “DST”, “Predilections”, “A Very Asian Variation”, et al., Light, 2016-23
Two poems, Lighten Up Online 32, 2015, and 33, 2016
“Bird”, LIT, 2019
“Purses”, Literary Matters 10(3), 2018
“New York Living,” Little Patuxent Review 19, 2016
Two poems, The Los Angeles Review 19, 2016
“Grandma Said,” The Louisville Review 86, 2019
Two haiku, Mainichi Shimbun, 2022
“Circe’s Blues,” Many Mountains Moving 10(1), 2010
“Hymn to Aphrodite,” MARGIE 8, 2009
Two poems, The Margins, 2015
Three poems, Mascara Literary Review 12, 2012
“Bref Double Written for Central Park During the Pandemic,” Mass Poetry, 2020
“Transmigration,” Massachusetts Review 53(3), 2012
Three poems, Measure 9(1), 2014
Thirteen poems, Mezzo Cammin 8(2), 2014, 10(2), 2016, 11(1), 2016, and 17(1), 2022
“Homemade Eclipse Glasses,” Michigan Quarterly Review 57(3), 2018
“Epicenter Thoughts,” MiGoZine, 2021
Three poems, Minnetonka Review 7, 2011
Two poems, Modern Haiku 41(2), 2010, and 52(2), 2021
“Doppelgangers,” Mom Egg Review‘s VOX blog, 2018
“Tainted Wedding,” Mythic Delirium 29, 2013
“Chè Bắp” + “Invention of Photography”, The Nervous Breakdown, 2011 + 2016
“Mitsu”, New Haven Review 17, 2016
Three poems, New Madrid, 2016
“Reading Li Bai During Social Distancing”, New Ohio Review 31, 2022
“Central Park”, “Eavan”, “November”, “Sirenian”, “To an MD”, et al., NVN, ’14-’23
Two poems, The New York Quarterly 66, 2010, and 67.1, 2021
“Ode to Dorothy Gale” + “Bloody Dim,” NonBinary Review 4, 2015, and 9, 2016
Two poems, The Normal School, 2015
“Portrait,” Off the Coast 22(1), 2016
Two poems, On the Seawall, 2022
“In Praise of Obscurity,” One Art: a journal of poetry, 2022
“Cephalopoda,” The Orchards Poetry Journal, Winter 2022
Five poems, PANK 9, 2013
“Somonka“, Passages North, 2021
Three poems, The Pharos 72(1), 2009, 73(1), 2010, and 74(1), 2011
“Quixotic,” Pleiades 40(2), 2020
“Picky Picky,” Poet Lore 114(3-4), 2019
Three poems, The Poetry Porch 15, 2015
“The Nymph’s Reply to the Shepherd” + “Tanka”, Portland Review, 2012 + 2013
Two poems, Post Road 19, 2010
“A Failed Georgic,” Potomac Review 63, 2018
“Psych!”, Prelude, 2015
Untitled haiku, Presence 65, 2019
“Continent,” Pulse, 2022
“New House,” Pulsebeat Poetry Journal 3, 2022
“Hunks Aplenty!”, Quarter After Eight 21, 2015
Three poems, The Raintown Review 10(1), 2011, 12(1), 2014, and 14(1), 2019
“Immigrant Story”, Rambutan Literary 3, 2016
“Gusanoz”, Rattle, 2019
“Three Short Poems on a Common Theme,” RHINO 9, 2009
“Tanka,” Ribbons 10(4), 2015
“Birdwatching” + “Easter Prayer During the Pandemic”, Rise Up Review, ’17-’20
“The Faith Pheromone,” River Styx 103-104, 2020
Two poems, The Road Not Taken 9(2), 2015
“We Are All At Least 50% Water,” Rosebud 64, 2018
“Baltimore Song,” The Rotary Dial 27, 2015
“Immigrant Story”, Saigoneer, 2018
Two poems, The Saint Ann’s Review 14(2), 2015
“Inheritance,” Salamander 16(2), 2011
“Pomfret, Late September,” Saltfront 9, 2021
“Echoes”, Salt Hill 42, 2019
“Leaving for Work in the Morning During the COVID-19 Epidemic,” 7x7LA, 2020
“Marsyas”, Silver Birch Press, 2014
“Neurology Ward Sketchbook,” Sixth Finch, 2021
Two poems, Smartish Pace 21, 2014
Two poems, Smoky Quartz, 2019
“Bionic Ducks,” South Dakota Review 52(3-4), 2016
Three poems, Southampton Review 7(2), 2013
“How It Goes,” SPECS 7, 2016
Two poems, Spillway 21, 2013
“Commander Daphne,” Star*Line 44(4), 2021
“In the Voice of Margot Begemann” + “The Plague Year”, SWWIM, 2018 + 2021
“Disordered Faces,” TAB: The Journal of Poetry & Poetics 8(5), 2020
“On Moral Loopholes,” Tampa Review 63-64, 2022
Two poems, Tar River Poetry 57(1), 2017
“A Bruxist Manifesto,” 32 Poems 10(2), 2012
Two poems, Thrush Poetry Journal, 2015
Two poems, Tinderbox Poetry Journal 4(3), 2017
Three poems, The Toronto Quarterly’s Poetry Spotlight, 2013
Three poems, Two Serious Ladies, 2014
Two haiku, Under the Basho, 2022
“How Not to Be Wrong,” Unlost Journal 23, 2020
“Georgia O’Keeffe’s White Flower,” Valparaiso Poetry Review 21(2), 2020
“An Unsent Letter” + “Rondel on Route 120,” Verse Daily, 2020 + 2021
“Công Binh,” The Village Voice 60(16), 2015
“Dispatch From Hanover, New Hampshire,” Virga 2, 2017
“I, Casimir Zorawski, a Mathematician of Poland,” Waccamaw 13, 2014
Untitled haiku, Wales Haiku Journal 3(3), 2020
“How We Met,” Washington Square Review 43, 2019
“Suckling,” Water~Stone Review 18, 2015
“Origami Master Breakfasts With His New Apprentice,” West Branch 86, 2018
“Fudging the Death Certificate,” Westchester Review, 2021
Two poems, Western Humanities Review 72(2), 2019
“Marsyas,” West Trestle Review, 2021
“The Shortest Memoir,” Yemassee 17(1), 2010
“The Staircase Infinite,” Zone 3 33(1), 2018

Poems in Anthologies:
After the Clouds, the Sun (Rogue Scholars Press, 2021)
An Amaranthine Summer (Kelsay Books, 2021)
The Best of the Raintown Review (Barefoot Muse Press, 2015)
Choice Words (Haymarket Books, 2020)
The Helping Hand Haiku Anthology (Middle Island Press, 2020)
Imagining Vesalius (University of California Medical Humanities Press, 2020)
More Truly and More Strange (Persea Books, 2020)
The Nancy Drew Anthology (Silver Birch Press, 2016)
Nasty Women Poets (Lost Horse Press, 2017)
NOMBONO: Speculative Poetry by BIPOC Poets (Sundress Publications, 2021)
Poems in the Aftermath (Indolent Books, 2018)
Prey Tell: An Anthology of Poems About Birds of Prey (2015)
Red Sky (Sable Books, 2016)
The 2016 Rhysling Anthology
Smoky Quartz Tenth Anniversary Anthology (2022)
They Rise Like a Wave (Blue Oak Press, 2022)
Two-Countries (Red Hen Press, 2017)

Poetry Translations:
“Matthew” (a version of “Myrtho” by Gérard de Nerval), Asymptote, 2012
Translation of “Angoisse” by Stéphane Mallarmé, Brooklyn Rail, 2011
2 versions of “El Desdischado” by Gérard de Nerval, Brooklyn Rail, 2011 + 2013
Translation of stanzas by Guillaume Apollinaire, Duende Literary 4, 2016
Translation of “Un soir” by Guillaume Apollinaire, Kin Poetry Journal 11, 2013
Translation of “Rêvé pour l’Hiver” by Arthur Rimbaud, Sycamore Review, 2011

Short Fiction:
“Kimiko,” Clarion 18, 2015
“Capitale de la Douleur,” Newtown Literary 3, 2013

Essays:
“Vietnamese Americans in the VHS Era”, Burrow Press and SPECS 7, 2016
“The Last Book I Loved, The Handmaid’s Tale,” The Rumpus, 2011

Book Criticism:
Review of Frozen Charlotte by Susan de Sola, AGNI, 2019
Review of Trouble the Water by Derrick Austin, Avatar Review 18, 2016
Review of The Old Philosopher by Vi Khi Nao, Fanzine, 2016
Review of The Final Voicemails by Max Ritvo, Indolent Books blog, 2018
Review of Robert Lowell by K.R. Jamison, Literary Matters 10(1), 2017
Review of Bursting With Danger and Music by J. Coulehan, Pharos 78(1), 2015
Review of Turn by Wendy Chin-Tanner, Pleiades 34(2), 2014
Review of The Lillian Trilogy by Mary Meriam, Poetry Northwest, 2016
Review of Then Winter by Chloe Honum, Poetry Northwest, 2017
Review of Quantum Heresies by Mary Peelen, Poetry Northwest, 2020
Review of A Woman Without a Country by Eavan Boland, The Rumpus, 2014
Review of Afterland by Mai Der Vang, The Rumpus, 2017
Rev. of Sunday Mornings at the Caffe Mediterraneum by W. Sloan, Rumpus, ’17
Review of Water & Salt by Lena Khalaf Tuffaha, The Rumpus, 2017
Rev. of A Cruelty Special to Our Species by E. Yoon, Southern Indiana Rev., ’19
Review of titles by G. Chambers and A. Tavel, Southern Indiana Review, 2020
Review of Accents by Arthur Turfa, Stirring: A Literary Collection 20(3), 2018
Review of titles by K. Xiong, L. Bella, A. Buchanan & B. Piller, Tupelo Qtly., 2017

Visual Art:
Four ink drawings, Black Warrior Review 47(2), 2021
One ink drawing, CutBank, 2021
Three ink drawings, Jubilat 35, 2019
Two ink drawings, Lantern Review 7(2), 2019
1 oil pastel drawing + 1 ink drawing, Lily Poetry Review 4, 2020, and 6, 2021
Two watercolors + one colored pencil drawing, MAI 3, 2017
One charcoal drawing, Mom Egg Review 18, 2020
One ink drawing, Pulse: Voices From the Heart of Medicine, 2021
Three ink drawings, Up the Staircase Quarterly 56, 2022
1 charcoal/colored pencil drawing + 1 ink drawing, West Trestle Review, 2021